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Rajkot Patola

The Patola has survived empires, single Ikat here; the step-like designs echo the architecture of stepwells a thousand years old, symbolising descent into the origins of life and lifeblood, water in the desert while the sharp, triangular shapes are drawn from temple architecture, shikharas (spires), which serve as a connection to the divine; they accord protection to the wearer and create a sense of the continuity of life. Each diamond, the Ratan Chok or jewel square, wards off the evil eye and bears witness as a guardian. It symbolises clarity and strength, representing not just cosmic order but also the temporal domestic courtyard, and houses a radiant eight-petaled lotus, Ashtadal, which signifies spiritual awakening and the radiance of the sun through which life thrives, protected by divine order.  The dot at its centre, the glint of the diamond, reminiscent of the Bindi, is the origin of life, the unchanging divine spark; its being white in the border denotes Sattva, a core of...

Patola Sarees

Patan Patola Saree at INA Metro Station, Delhi Gujarat's Patola sarees are known to be coveted: they are Ikat sarees woven in silk. The effort required to weave one of these sarees is apparently so much that weaving them in cotton (which doesn't last as long as silk) simply doesn't make sense. There are currently two kinds of Patola sarees available: the Patan Patola which is an expensive double Ikat weave, and the Rajkot Patola which is a comparatively accessible single Ikat weave. Patola sarees are reversible, and Patan Patola sarees are assumed to last for about three centuries. They are woven in the town of Patan which is believed to have been established around 745 AD by Vanraj Chavda. The sarees, however, began to be woven much later: it is said that Patola attire was originally woven in Jalna, Maharashtra, and imported from there. However, around 1175 AD, King Kumarpal from Gujarat (who wanted a new, unworn Patolu to wear each day for his daily worship) defeat...